Leonardo da Vinci By Walter Isaacson

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The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker).Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).

At this time of writing, The Audiobook Leonardo da Vinci has garnered 10 customer reviews with rating of 5 out of 5 stars. Not a bad score at all as if you round it off, it’s actually a perfect TEN already. From the looks of that rating, we can say the Audiobook is Good TO READ!


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Walter Isaacson is on a quest. To understand his Leonardo Da Vinci you have to understand something of why he choose to write a biography about him at all, after writing biographies of Steve Jobs and Albert Einstein. Thankfully, Isaacson is explicit about what interests him in these personages and so there is no need for reading between the lines.What Isaacson wants to understand is what makes some men and women people of genius. Not the silly way genius is portrayed in the movie Amadeus, in which it is simply some innate talent, but the character traits which enable rare individuals with the capacity to permanently change the world with the mere power of their mind.With that goal in mind, one is ready to appreciate Isaacson’s Leonardo Da Vinci. The book begins discussing his early achievements in art and the investigation of nature within the first forty pages, fairly quickly for a 525 page tome. And the book is dominated by appreciations of his work, both artistic and scientific (to use a modern distinction unrecognized by Leonardo). Along the way there is a wonderful resonance between Isaacson describing the characteristics of Leonardo that led to his peculiar type of genius and then seeing that genus instantiated in a particular unpublished treatise on anatomy or in a work of art such as the Mona Lisa.If you are interested in this quest, in both seeing what led to Leonardo being a genius, and then seeing that genius expressed in his creative work, you will love Isaacson’s Da Vinci. Many biographers prefer to dwell on a lengthy account of the culture and history of the time and focus on the personal life of their subject. Others choose to try to psychoanalyze their subject and allow the reader to understand the subconscious drives which led to their accomplishments.None of that is to be found in Isaacson’s work. Though a summary doesn’t do the book justice, Isaacson sees Leonardo as unusually perceptive of the world around him, with an insatiable curiosity, a proper understanding of how to balance theory and experiment and a disdain for doctrines handed on by the past. These traits, and others, led him to understand the effect of light in creating the illusion of three dimensions in painting, which muscles are used to smile, how men and women might one day be able to fly and all the many other prescient things expressed in his art and notebooks.If there is anything to criticize, it is that Isaacson is almost universally positive, almost effusively, about Leonardo. But this is because the book focuses mostly on the factors that led to this genius and the actual fruits of his intellect. Admittedly, it is hard to be critical of those aspects of Leonardo’s life.One final point to make to potential readers: Isaacson writes in clear and simple English. Though the book is 525 pages long I read it in less than a day. If he had chosen to adopt the tone of many academics this would have been a far less pleasurable, and longer, read.Isaacson set out to determine both what made Leonardo a genius and why he is considered one. While every reader can form their own opinion as to whether he was successful, I think both the importance of the quest and its achievement in the case of Leonardo will be doubted by few readers of this book.


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